Saturday, August 23, 2008

Film vs. Digital


In the photographic community, the argument over film camera work vs. digital camera work is a big and very defensive one. Filmers, those who seriously and almost exclusively support film (i made up that term), will turn their noses up at anything digital, claiming that the artwork is lost in it. Digital folks, those who enjoy shooting digitally, express the convenience of digital, the cheaper processing, the ever-expanding options...then there are those, like me, which think that digital and film photography are two completely different mediums entirely.

in Provence, I'm expected to have limited to no contact with the internet except for exclusive school work. I'm supposed to abandon the phone in favor of old-fashioned letters, and have very little contact with family and friends back home. this is what the program says.

because the program is supposed to be language immersion, i understand this way of thinking. however, i also don't understand this way of thinking. right now, i feel like even though an abroad program is supposed to give you a different perspective, allow you to completely immerse yourself in a different culture...but how is one supposed to do that unless they also remain in touch with where there from so one can compare and reflect. Like film and digital photography...one can appreciate the ever growing options in digital, but only because film existed first. and because now they're both so different, it's possible to truly appreciate both.

moral of this story: i'm going to keep as close in contact as i can. so as to better appreciate the differences in my experiences.

Tuesday, August 12, 2008

Reviewing Past Work

When a photographer reviews some of his or her past work, he or she might feel a variety of emotions. nostalgia, embarrassment, or slight amusement for what he or she once considered quality work. Because one is always learning new things, this opportunity to go back and review comes up quite often.

(^old photo)
In my own work, I review shoots I did from fall semester 2007. I can hardly even begin to appreciate my work as art (now) until about halfway through spring semester 2008. And now, I only see myself getting better and learning and growing with my tools. It's pretty cool. for me, at least.

(^new photo)
at the same time, as i reflect (once again) on my chicago experience, i notice that I've grown quite substantially from the end of spring semester. This, is also cool. At least I think so. I've grown more comfortable with myself. I prefer walking to places close by as opposed to driving. things have gotten easier to deal with in terms of money management. my parents seem more content to allow me to plan my life and work with me instead of trying to monitor me.

also, i seem to have developed some kind of the somewhat feirce loyalty to chicago that chicagoans have. not quite as strong, but i do notice myself saying "our" or "we" when referring to Chicago. while maybe this isn't cool, i find it pretty funny.

anyway, so if you havn't gathered by now I'm home. the drive back was great fun (only a few bursts of rain and traffic) and i've been seeing folks and getting my life back in order, only to soon be uprooted. scary.

Thursday, August 7, 2008

Photos on the Web


As a photographer, it's really important to monitor your work if it's online. In this day and age, in the short years that i've been doing photography, i've heard of numerous outrageous cases of larger corporations and smaller ones alike (as well as bands and other groups and individuals) stealing art to use for their own purposes.

this is really worrying to me. it's so easy to steal art and use it and deny ever having stolen it. there's so much work out there, so much beautiful work, and yet it's regarded as "worthless." meaning no one is willing to pay for it.

to an artist that's a big insult. basically it's saying that "while i enjoy your work, i'm not willing to pay for it, because i don't think that i should have to when i can take it for no money at all."

where are the ethics here?

anyway, i'm thinking about all of this cause i'm in the process of uploading my website to the internet (all annoying problems with it aside) and i'm worried about people stealing my art. while it's certainly not as up to par as i consider some of my contemporaries work is, it is a worry to me. without the internet it's hard to book jobs to make money, but it also costs in more ways than one. it's a concern.

anyway, life in chi-town (chicago!) is closing out pretty well. my boss talked to me the other day and complimented me (a lot) in giving me a small verbal evaluation (writen evaluations to be seen in a few weeks) and i only have one day left. projects are finished out, been having a great time this past week just doing some shoots and having fun!

I'll be coming in on sunday night (hopefully) and i'm looking forward to the ren faire on the 17th. looking WAY forward to it actually.

other news - the belly dancing lessons this summer have gone super well - i love being challenged by the style, and using hip hop skills in new ways. the people are fantastic, and i wish i could continue with them, but unfortunately, chicago is a little far to travel from pennsylvania every week for class.

also - the kemper scholars made award certificates for each other. Mine reads:

"The citizens of kemperville enthusiastically award Liora K with the honor of MOST LIKELY TO PHOTOGRAPH THE PRESIDENT - UPON REQUEST" (the president, of course, being a fellow female scholar...it's her back up plan. her first plan is to be Supreme Court Justice.)

I also think my photography has improved a WHOLE lot over the past semester and summer...i'm happy with so much more of my work. THANK YOU GUYS SO MUCH FOR THE CAMERA. by the way.

i'm curious...what do you guys think of this online epidemic of stealing art? where do you think the line is drawn between appreciation and theft?

Sunday, August 3, 2008

NEWS NEWS NEWS


...this does NOT have a photography theme

UPDATES ON MY SUMMER GOALS: VISA AND WEBSITE

VISA: OBTAINED! FRANCE IS WILLING TO LET ME IN!!!

WEBSITE: FINISHED! IN THE PROCESS OF UPLOADING IT TO THE INTERNETS!!!!

Tuesday, July 29, 2008

Developing


Developing film was a process that I learned last semester. It's very calming, frustrating, exciting, magical...well, a whole list of adjectives basically. Let me outline the steps of developing negatives for you.

1. put your film on a film reel. in the pitch black dark.
2. put your film reel into a light-tight canister. in the dark.
3. turn on the lights, walk into the sink room.
4. prewash your film with room-temp water
5. add developer chemical into the light tight container. slosh around for a good long while.
6. add stop chemical to stop the developing process. slosh around for 30 seconds.
7. add fix chemical. slosh.
8. open canister, put film through final wash.
9. drop in some photoflo (to prevent streaks!).
10. hang to dry.

now, a recipe for a basic first internship:
1. get internship. difficult, but with persistence usually things come through. usually.
2. get dressed. in the dark (or at least the early morning light)
3. become enlightened as to what your internship entails. get shown to an office.
4. begin learning about the culture of your organization. get your hands a little dirty.
5. add culture. slosh.
6. add your own assertiveness. stop cultural imperialism! be your own person! (but only for 30 seconds)
7. add hard work to produce an outcome, or multiple outcomes. slosh.
8. show work to boss, watch it get marked up, returned to you for final go-over.
9. make it preeeeeeeettty.
10. and then it's over.

ah...comparison lists. much like the lengthy to-do list on my desk.

***note: i was thinking about where the whole "learning and growing" aspect fit in here...i guess it's that when you're developing film the images are already there, the developing brings it out of you. You always had the ability to do your job, but the process it what makes it visible to others, as well as yourself.

Tuesday, July 22, 2008

Shooting Posture

When shooting, especially without flash or in low light settings, it is important to have proper camera posture to try and eliminate as much shake as possible. It's important, for example, to keep your elbows close to your body to provide stability for the camera - you're leaning on something, it helps.

of course, you could also just grab your friend and use him or her as a tripod. this is also quite effective, unless he or she does not wish to be a tripod, in which case your efforts may fail miserably.

but it's also important to develop your own stance, so that you know what's comfortable and what works for you. it's important to be comfortable whenever you're doing art - otherwise it'll read in your artwork. even though they might not realize it consciously, viewers will recognize your anxiety, discomfort, or distrust in your own work subconsciously...you need to have confidence, and confidence often comes with comfort and a little bit of individuality.

finally, after all summer, I'm finally starting to feel really comfortable at work. people are starting to hand me more responsibility, i feel like an actual employee that people trust and enjoy spending time with, rather than just an intern thrown into the middle of everyone's life, both at their convenience and inconvenience. I've stopped being afraid to slouch, i've started showing a little personality. I speak in French to my boss without being scared, and I know more people and have more confidence getting around the building. it's nice - i've recognized the culture of the place, and in all the different departments i work in, but also recognized how I, Lori or Liora, can fit in.

I also think that Lori's grown up a little bit too. her name still seems weird, but i think given the situation she's done quite well.

It's also been great having the other scholars here - together we bounce ideas off eachother, talk about our respective experiences both good and bad, and what we want to do with our lives. Dr. LaHurd and E.B. have been amazing - they're like our pseudo grandfathers. They're great mentors, and obviously really care about us and our futures. it's hard to believe how amazing this program is sometimes. They are the friend tripod - there to support us, but it's up to us to frame, control, and click the shutter.

aside from all this, the internship is almost over. overall, I feel really different than I had at the beginning of the summer. i feel ready to kinda take on these upcoming challenges - ready to face the consulate, face France, face a foreign language. i can cook now, i can talk, I know I can do this.

today one of the scholars, Jan (think j = y folks), said something really interesting at our weekly meeting. He said something along the lines of "I see people doing things, and because they can do these things, I just reason that I should be able to do them too. And so i can. there's no reason I can't."

I've never reasoned things that way. Because of my difficulties with math and science, I just always assumed there were things that I was better at doing, and some things that maybe i just wasn't meant to understand. I think that this is where a lot of my anxiety stems from - my fear that I just won't be able to do it.

I have these dreams sometimes, where in them I'm in danger, and I go to slap my pursuer across the face, but I can't. My wrist just goes limp. I can hardly even control my arm...it's as if all my muscles have gone numb. I think that's the feeling i get when i get anxious - i just can't control anything.

I think that Jan has given me new hope though.

as cliche as it is, i feel like a flower - i'm just growing and learning. however, I don't feel like a flower, because some flowers have short lives, and they're delicate, and when things change - like they're put in a new environment. so in that way, i don't feel like a flower at all...maybe i feel like cactus, or navajo corn...same corn, just put in a different place to adapt to.

...click. shutter closes. more later. love to all. write me! i want to know how you're all doing!!!

Wednesday, July 16, 2008

Couple Portraits


Ah...the classic portrait question. How does one actually capture a couple without making it too cute, or too romantic, or too edgy, or too sexy? It's a difficult conundrum, especially when a photographer is only first introduced to said couple. How do you make the personality of the couple come out?

wellllllllllll...when you're one of the people IN the couple, it makes it a little easier :-D however...it's also very extremely easy to cross the overly cute line. OH WELL.

Soooo yea. I know I haven't updated in a while, but in all fairness, I've been kinda very busy, and now that Andrew is here...well...i have even less time :-). We're very happy, finally seeing each other after a four month break (aka: hell) and we're just havin a good time in the city. We went to fireworks tonight, batman and the feild museum saturday, etc etc etc.

everything is happy!


work is very busy. very extremely busy. Like i have a list of about 13 ongoing projects sitting on my desk at this very moment. Some, actually, to do with photography. my boss wants me to photograph certain things in the museum for a really big board meeting that's coming up. woohoo! exciting stuff. my second bout of photography at the museum...in case i didn't mention previously, I also photographed the fourth of july celebration.

in other news - i will definately have a visa for France before I leave here/have all of my forms in to my study abroad program. it's just taking me a little while to get there. but so far, the following photo pretty acurately describes my feelings about the situation:


that's all for now - i'll try not to let so much time pass before the next update!!

oh, and one other thing. MY OFFICIAL WEBSITE WILL ALSO BE UP BEFORE I LEAVE CHICAGO!!! (thanks to all the hard work of the lovely mr. tekamp!)